With a background in biology and ethnology, my artistic practice seeks to intertwine scientific and artistic knowledge. I turned to art because I felt that while scientific knowledge is vast, it often lacks the depth in expression and application needed to make a true impact. I see myself as a translator of scientific insights into performative, sensory objects and actions that resonate with the world, people, and myself.

This pursuit has taken shape in various projects, from performances that reinterpret scientific research ("Léthé") to workshops that combine art and science, such as scientific drawing on insects or forest soundwalks. I have developed artistic mediations for exhibitions and associations that share my aim of merging these two fields, and I've participated in artistic workshops in scientific laboratories. My work often revolves around biological themes, and this intersection continues to be a focal point in my practice.

Currently, I began the journey of formulating a course that introduces artistic methods to biologists.